A Musical Favor

The release of the new John Fahey tribute album, I Am the Resurrection: A Tribute to John Fahey, has reminded me how little I know about his music. I've only heard a few of his records (namely America and this anthology). So far I am most taken with this track I first heard recently while watching the movie Following Sean. I prefer this to his more bluesy songs. Can anyone recommend other stuff from him in a similar vein?

John Fahey: “Sligo River Blues” [MP3]

Site note: I recently figured out that my site's RSS feed wasn't working. Sorry about that. I switched hosts a short while back and I guess I missed something. Should be good to go now...

Shala-lala-la-la

Yes, I'm still here. I guess writing this crap has taken a backseat to things like work and being social. It's not such a bad thing really. After what seems like one of the rainiest Januaries in Seattle history, we're finally getting some sunny days again. I can't wait for the Spring.

I've been in a real pop phase recently. I'm not completely sure why; I think it has something to do with going through all this change in the past six months or so. After moving to the West coast back in the Fall, I went through a few minor hardships, and I think I needed comforting. That's what I like about good pop music, I guess--it's so damn right. It's like well-made home cooking or a good friend: nice and cozy...inviting. There's still something to be said for that, especially in light of all the awful news these days. It makes things a little better.

Case in point: The Brunettes, a New Zealand band who recently signed to Sub Pop to release their 3rd album, finally calling themselves to my attention. They are a male/female duo clearly (and pretty wonderfully) inspired by 60's girl group. Their music has a weird bent to it, though. At times it's definitely silly and happy, but there's a darkness there too. And they're not so innocent. I like their first album, Holding Hands, Feeding Ducks (2002), a bit better than the 2004 follow-up, Mars Loves Venus. Both records are kinda bubble gum and nearly every song is about love, but the debut has something about it. It's a little weirder, a little more daring. I prefer those moments, rather than the super peppy, hey-everybody-let's-dance stuff.

"Talk to Jesus" [MP3]
"End of the Runway" [MP3]

[Speaking of 60's girl group, I recently picked up Rhino's awesome boxed set, Girl Group Sounds, Lost and Found: One Kiss Can Lead to Another. Highly recommended if you like that sort of thing. One minor gripe: it gets my vote for most embarassing packaging ever. Where the hell am I supposed to keep this thing???]

Wonder Katzen

Fans of twisted, subversive comedy take note: The first season of MTV2's often brilliant "kids" show, Wonder Showzen (which I first gushed about here), is set to be released on DVD March 28th according to this and this. I'm psyched, are you? (You sicko creep.)

And if that weren't already enough, there's even better news. According to an interview with (H.) Jon Benjamin on the January 7th episode of the Sound of Young America, Dr. Katz is finally coming to DVD! Benjamin discusses doing the commentary for the Season 1 DVD in the interview, as well as his thoughts on Squigglevision (the style of animation used on Dr. Katz and on the 1st season of Home Movies, another show which features his voice), hosting the ongoing comedy thing Tinkle with David Cross and Todd Barry, and why he doesn't do traditional stand-up. You can hear the unedited Jon Benjamin interview here.

Anyway, this is awesome news for fans of Dr. Katz who have been petitioning for a DVD release for quite a while. My "temporary" copies of the series (previously discussed here), while good for quick fix, obviously can't compete with high quality editions with commentary and all that. I can't wait. [No release date has been set so far, and sites like Amazon aren't yet listing it.]

Slackin'

Man, has it been over a month?? The inspiration comes and goes (all too quickly, I suppose). New posts are coming soon, though--promise. Expect to see my 2005 best-of (it's so late, I know), as well as posts on why I can't seem to get enough pop these days and how I'm learning to love my ever-present sense of self-loathing (and maybe a blurb on my love of hypens)...soon-ish.

In the meantime, a PSA:

Are you like me? Do you enjoy that crazy P2P filesharing the kids are into these days? If so, you might care to know that the man is watching you. Whether you're Bittorrenting, Soulseeking, or riding your eDonkey, chances are that organizations such as the MPAA and the RIAA are spying on you.

Even if you have a software firewall installed (you should) and/or a firewall enabled on your router, you may still be at risk. I found this out recently for myself when I installed PeerGuardian, a small, open source IP-blocking firewall for Windows and OSX. I was Bittorrenting something, instructions on how to better care for my sickly grandmother or some shit, and sure enough PeerGuardian was showing hits from all sorts of weird IPs trying to scan my port. So unless you want to stop all the downloading, I suggest you do the same--install PeerGuardian and stop this ridiculous intrusion on your digital privacy.

Favorites

My new favorite ice cream is...
Ben & Jerry's Half Baked Frozen Yogurt

My new favorite cartoon character is...
The grandma on Adult Swim's Squidbillies

My new favorite stand-up comic is...
Louis CK

I remember first seeing him on Dr. Katz back in the mid 90's. He did a bit about going in Wal-Mart and buying a bunch of weird, unrelated stuff just to freak people out. It was funny, but I soon forgot about him and carried on with my sad, pathetic Louie-less existence.

Flash forward to August 2005, when I was lucky enough to catch a particularly good episode of HBO's newly-resurrected One Night Stand featuring, yes--you guessed it, the comedy stylings of Mr. Louis CK. And it was good. It was so good, it was more like fucking excellent. In fact, I actually el-oh-eled quite a few times, despite watching it alone. I'd even go as far as to say it's a damn near perfect half hour of comedy. If you have the means I highly suggest you Tivo that shit or something. Here's an audio clip (NSFW):

+ Louis CK: HBO One Night Stand clip [MP3]

He's got an album called Live In Houston for sale on his site, too. It's not quite as tight as the HBO special, but it's definitely worth checking out. Some klips (mostly NSFW):

+ Louis CK: Diner Ordering [MP3]
+ Louis CK: Diet [MP3]
+ Louis CK: Itchy Asshole [MP3]

So apparently the guy's been busy since that Dr. Katz episode. In addition to the stand-up, he's written for Conan, Letterman, and the Chris Rock show, among other things. And now he's taping his own sitcom for HBO. It's called Lucky Louie and will premiere sometime in 2006. You can read all about it in a hefty article from a recent issue of the Boston Globe Magazine here.

Despite his busy schedule, Louie was kind enough to grace the boards at A Special Thing, a site that started as a Tenacious D fan site but has become a haven for comedy nerds everywhere. Actual, life-sized comics like Brian Posehn and Scott Aukerman (Mr. Show), Andy Kindler, and Patton Oswalt sometimes stop in for a chat. Louis CK recently started a “Question and Insult” thread there by promising “anyone can ask me any question and I will provide an answer that is deeply insulting to the person who asks the question.”

Here's what BrickSprickly (aka me) had to say to Louis and the insult offered in return:

BrickSprickly wrote:

Louis:

I know you're busy with your fancy new show, but do you think you'll do a stand-up show in Seattle in the near future? Will you tour after your show doesn't get picked up or what?

PS: I hope your show does get picked up. I'm gay for you.

It will be very hard for me to hit the road for a while. Once the show hits the air, however (in june) I'll probably to go on the road and make some cash. I miss standup and being on the road a lot. And I love working in Seattle.
And you're not gay for me. You're gay for the trillions, literally trillions of cocks that have been in your ass. Do you realize what that means? Trillions of cocks. There have never been trillions of people alive ever. That means that, on top of the billions of cocks that have been up your ass, meaning the cock of every man that is and ever was, there have been billions, trillions more up there, cocks that must just exist on their own without people attached to them, that were conjured by your wizard friend, just so they could go up yoru ass and die.

LCK

http://www.louisck.com

ps. you are not good.

If that's not awesome, I don't know what is. Oh, and by “I'm gay for you” I meant “I really enjoy your work.”

So there you have it, folks--my new favorite ice cream. [Sorry, David Cross. You've been crossed out, my man. Yeah, I'm still a little gay for you too, but you have to understand that things change.]

She Can Let You Down (Part 2)

Sometimes a band transcends the new-band-gone-old paradigm by instead taking on an old-band-going-older role. It just takes a little time. Such is the case with LA's 80's-gone-60's Paisley Underground scene which spawned several worthy bands, including the Dream Syndicate, early Bangles, The Three O'Clock, super group covers project Rainy Day, and future Mazzy Star guy David Roback in his early bands Rain Parade and Opal, among others. I have to admit I'm not really through checking out these bands and exploring this "scene," but so far Rain Parade has sort of stood out to me as a band worth going back to. Their debut album, 1983's Emergency Third Rail Power Trip does a commendable job at sounding like 60's psychedelic folk rock (i.e. The Byrds). It's nearly tranparent. I've found that this song in particular manages to both sound old and authentic and still sink it's fucking hooks inside my brain. That's timeless magic. What's it done to my mind? I can't stop listening to it!

+ Rain Parade: “What's She Done to Your Mind” [MP3]

Jumping back to the present day (or a present-day reflection on the past), England's The Clientele have released a few good records recently. First came their second album, Strange Geometry, released in the US on Merge Records back in September. The follow-up to their solid debut album, The Violet Hour (2003), and the excellent preceding singles collection, Suburban Light released back in 2000/01, Strange Geometry shows the band changing things up just a bit. Without sacrificing much of their core sound (wistful, melancholy, shimmery, dreamy, and yes, 60's-ish), they've made a few alterations this time around: First and most noticeably, they turned down the reverb considerably on the vocals, so they're a bit more clear and upfront than usual. They rock out a little more on tracks like “Impossible,” which at its climax features something of a psych rock guitar solo. There's also the inclusion of spoken word vocals on the track “Losing Haringey,” which is pretty interesting. Aside from these small details, and maybe a bit of a cleaner, more well-recorded sound overall, they're still putting out the good ol' reliable dreaminess that I can't seem to get sick of.

I got to see the band play here recently, and they were excellent. I can't think of a more suitable vibe for the rainy days of the Seattle winter. They played a good range of material, centered of course on their new album, including several of my personal favorites from Suburban Light. At the show, I picked up the early/unreleased songs collection just put out in time for the tour entitled It's Art Dad. It's self-released and currently available only at their shows or by mailorder from the band. The songs included (which were recorded from 1991-96) are lo-fi, with a home demo sound that might be a put off for some. I think it actually works pretty well for them. In most cases, it suits their warm-n-fuzzy sound just right. This disc may only appeal to big fans like myself, but there are actually a few gems that are worth checking out.

+ The Clientele: “Dear Jennifer” [MP3]
+ The Clientele: “The Evening In Your Eyes” [MP3]
+ The Clientele: “St. James' Walk” [MP3]

Before I go, I want to get back to something I mentioned in first part of this post, about how comforting I find old (and old-sounding) music. The Clientele, more than any other band I've mentioned here, typifies this feeling I'm failing to accurately describe. And not only do they seem to match so well the dreary weather of Seattle (which is probably pretty similar to that of the band's London home), but they seem to match me, too. It's strange. I can't think of any other band that so often suits my mood these days. I've really connected with it. Yeah, I need to get fucking happy, right? Well until I do, there's this band that seems to know exactly how I feel. That's just magic.

She Can Let You Down (Part 1)

There's something about old music that just does me right. I can't quite put my finger on it, but I can come close by saying that I find it very comforting. But it's not just comforting--it's something more. It's like a favorite sweater and a good cup of coffee on a saturday morning: warm, well-worn, and cozy.

I wasn't lucky enough to be born to parents with good taste in music, so I missed out a little growing up and have had quite a bit of catching up to do. Every so often, I seem to reach back for something that I've missed. Sometimes I find something cool, sometimes I don't. Either way, I learn something new. One thing I learned recently is that new music is sometimes very good at sounding old. This is good news because, let's face it, some day we're gonna run out of real old music, aren't we?

Yes: Espers, a psych-folk band from Philadelphia, has recently released an EP of covers. The songs are old. The band is new. Blah blah blah. Weed Tree (Locust) is Espers turning it's dark, folky hymns to the past. The covers include songs from Nico, Blue Oyster Cult, Durutti Column, and a few traditionals like “Black Is the Color,” as well as one original song, “Dead King.” Espers do a good job at sounding kind of old already, so songs like the medieval-y traditional “Rosemary Lane,” which makes me feel like I'm at a Reniassance Fair (minus the cleavage and weird sticks of meat), tend to fortify the vibe they're kinda going for. Seriously, this song isn't just old--it's olde:

+ Espers: “Rosemary Lane” [MP3]

Speaking of dark and old, Tarnation was a great band who was a big part of that whole dark, spooky Southern gothic country explosion that happened in a dream I had recently. Seriously, I don't know who you could compare them to, but the mostly female vocals sound a little like the ghost of Patsy Cline's equally talented lovelorn younger sister, Petula. The music is slow, twangy and with lots of reverb and only brightens up occasionally for a few upbeat numbers here and there. This song, featured on both their debut, I'll Give You Something to Cry About (1993) and their second and best album (and first for 4AD), Gentle Creatures, is especially good at sounding old, if maybe at the risk of sounding slightly affected:

+ Tarnation: “Game of Broken Hearts” [MP3]

'Cause She Never Dreams

Whoa. I haven't posted in a while, huh? Don't worry, nothing much has really happened. I'm still looking for a job. It's real fun stuff. (Not really; it's utterly depressing, but I'll spare you.) Otherwise, there's not much more to report. Things could be better; things could be worse. Nothing new there. I've been trying to decide whether I should even bother with this site. It's embarrassingly out of date, for one thing. And well...I'm not sure my heart is in it anymore. Whatever. Who knows. I'll figure something out.

I did get to see the Dirty Three a few weeks back. They were excellent, and the show really gave me a new appreciation. It suited my mood so well it was almost kind of creepy. But it was good. Really good. Would've been even better had they played in my living room. There are quite a few shows coming up that I'd like to attend. Guess we'll have to see if my wallet cooperates.

Upcoming “Jeff” Shows:

10.25.05 - American Analog Set/Verevin @ Chop Suey
10.27.05 - The Decemberists/Cass McCombs @ Showbox
10.30.05 - Broadcast/Gravenhurst @ Neumo's
11.12.05 - Broken Social Scene/Feist @ Showbox
11.15.05 - The Clientele/Radar Bros @ Chop Suey
12.03.05 - Echo & The Bunnymen @ Showbox

I've been without extra money for a while now, but it hasn't stopped me from hearing new stuff (hooray for slsk). I'll post something soon about music stuff. For now, here's a little mix of a tracks I put together in some of my hopeless-est moments as of late. Enjoy.

Sad Bastard Anthology Vol 2: Modest Melancholia
[Deleted]

1. David Pajo: Oh No No
2. Tarnation: The Well
3. Do Make Say Think: The Apartment Song
4. Colin Newman: Alone
5. Malcom Middleton: Loneliness Shines
6. Vincent Gallo: A Wet Cleaner
7. The Places: Program Ten

Here I Am

I'm in Seattle now, living with Wally (my cat) in a 1 BR apartment in Capitol Hill (which is sort of like a less yuppie Dupont Circle, for all you folks back in DC). It's not too bad--I've been getting along just fine, though reality has set in and I am definitely not on vacation. The weather is weird. It feels like Fall already here.

Moving across country has proven to be a pain in the ass, but what did I expect? My Charlie Brown luck was not left behind. But, despite trouble getting back online and issues with my new bank and a few broken dishes, I am settling in pretty ok. I have a bed and a couch and new set of speakers for my stereo. No TV/DVD yet; that will have to wait until after I've secured employment. I made one trip too many to Ikea and dropped a hefty chunk of change at Target for household supplies. Feh.

I've begun to send out my resume, to temp agencies and to a few local companies. Wish me luck. I need to start working again very soon.

I'd planned to write a bit more, about the moving process and my adventures so far, but I'm not feeling up to it. But if you want to check out some photos of my new place, you can do so here.

Last, but surely not least, I just want to say thanks to everyone back in DC (especially my old housemates) for the going away party. It meant a lot. Thanks also to The Antiques for a playing a great little set in my (old) dining room. It was awesome. And many many thanks to Sara for all the help in transitioning to the next phase. You rock.

Here Goes Something...