3.06.2005

My Fair Share

My web hosting provider recently sent out an email in which they asked their customers to remove copyrighted mp3s from their servers. Since I do have a few of those sitting around (in fact, I can't help but think the request was at least partially directed at me), I thought I'd take a look at that intitial email they sent out after I paid for my hosting. Sure enough, they stipulate that customers are not allowed to store such media files on their servers and those who do will have their accounts terminated without refund. Fair enough, but I wish I had known before plunking down the cash for a year of hosting with them. So anyway...it looks like it might be time to find another host.

The music industry's reaction to filesharing is ridiculous. I don't feel the least bit guilty about it, either. I spend plenty of money on music. Trips to Sound Garden in Balitmore, for example, yield stacks of CDs and a buck-fifty tab. Or let me loose in the Village in NYC and watch me go. I can spend hours record shopping and drop a couple hundred bucks, no problem. And let's not forget about mailorder. Thanks to my town's lack of a good record store, I often have to order stuff online to get what I'm looking for. In other words, I'm a record buyer's record buyer.

Filesharing has had an effect on my record buying habits—don't get me wrong. Now that I have an iPod (and have been downloading stuff and ripping stuff from friends), things are changing. I use to go record shopping and sometimes pick up a CD because I like the cover art or the band's name, a technique which carries a very low success rate. I used to make lists of bands I wanted to check out, find their record at the store (if I was lucky enough to find it), take a quick listen, and decide right then if I might be able to get into it. Now, I'll have already heard it and can go in with an informed opinion and buy only what I know I'll like (because I've been listening to it for weeks and know that it's awesome). I've cut out the middle man, in a way. Filesharing then, doesn't keep me from buying music, it just influences what music I'll end up buying.

But certainly the ability to hear things will have an impact on the amount that I'll buy, right? By weeding out all those deaf buys and hastily-researched discs (the discs I thought I might like after a brief listen in the store only to find later that I actually could do without them), aren't I cutting down on purchases quite a bit? No. If anything, I'll only be cutting down on the amount of records I have to sell. Now everything I buy is a keeper. Plus, the amount of records I won't be buying thanks to filesharing will be more than made up for by the amount of music I'm being exposed to, also thanks to filesharing. I'm still pretty much the same spendy music fan, just a more informed one.

I dunno, maybe I'm an exception. I haven't stopped buying stuff and I'm certainly not downloading Metallica or Britney. There are people who only download music, but you know what? The people who don't buy any music and who download such easily available, mainstream crap probably wouldn't be spending money on music anyway. These people would likely be satisfied with a shitty tape dubbed off the radio. So who cares? I know, the laws aren't based on unknown variables or what people might or might not do. But like I said, I'm not going to argue the legalities of this issue. I'm just explaining what I do with filesharing. I don't see what I do with it as morally wrong.

So there you have it, folks: For me, filesharing is A-OK. These other slobs, however, should be locked up for life. Not necessarily for filesharing, just ya know...'cause they suck and stuff.

3.04.2005

Taverna

Some friends took me out to dinner last night for my birthday. We went to one of my favorite restaurants, Lebanese Taverna, and it was excellent—great food, great company, the works.

If you're local to DC, I wholeheartedly recommend this place if you're in search of awesome middle eastern food beyond the usual kabobs and stuff. The mezze (appetizer-sized dishes analogous to Spanish tapas) are great. I usually get three of these for dinner, mix-n-match style. It's a fun way to try different things, especially if you're up for sharing with your friends.

I took a few photos, but they turned out pretty crappy. I put a couple up at flickr, if you want to see 'em.

Highlights of the evening (aside from the awesome food):

+ Meeting Canan. I had the pleasure of sitting next to Sarah's friend from Turkey who was pretty damn amazing. She's currently living in Germany working toward her Ph.D. in archeology. She also speaks three languages fluently, has travelled the world, and is very nice and cute. Despite the fact that we'll probably never meet again, a burgeoning crush has already developed.

+ Birthday kiss. OMG. There I was, stuffing my face with falafel, when I was suddenly blindsided with a surprise smacker. It was Catherine making good on an inside joke. Yow! Needless to say, I'll never wash this cheek again.

+ Friends...How many of us have them? Me! I do! Thanks again to everyone who came out—you guys are awesome. And thanks especially to Tim, for organizing the whole thing.

2.28.2005

White Rain

It's beautiful outside, what with the branches covered with snow and all. It's almost worth the disappointment I felt when I found myself going to work this morning. At one point last night they were calling for as much as ten inches and saying it was nearly a sure thing. Needless to say, it didn't happen and I woke up to nothing. I stayed in bed until the last possible minute before getting up and trudging off to the Metro.

I can hear it melting now. And still the sky is spitting snow.

Listen to Clearlake: “Wonder If the Snow Will Settle”

2.27.2005

Twenty-Eight

TODAY'S BIRTHDAY (February 27). You believe in yourself this year, and others believe in you, too. In fact, you are being groomed for advancement over the next 10 weeks. Relocation is an option, but take it slowly, and investigate carefully before making a move. In May, your confidence attracts passion. Big money follows an educated risk in July. Love signs are Taurus and Cancer. Your lucky numbers are: 30, 51, 24, 27 and 45.

It's true: I'm no longer being thought of as a fictitious character. [And it feels great!] Also, these next 10 weeks of grooming should be interesting. I love a good delousing. Confidence? Passion? Big money? Sounds great, liar.

Really, it couldn't be less of an event. The even years (with the exception of 18 and the years that mark each decade) always seem less significant. The odd years just feel older. Plus, I think I'm finally ok with the fact that one year older no longer means much more than just that. All these years I seem to have been hoping for a Pink Panther cake with licorice whiskers and a trip to Chuck E. Cheese. Of course, this hasn't happened since I was seven. I think I've finally accepted that it was a one-time deal.


Here's to another year of possibilities. I'm confident I'll attract passion, earn big money and advance to a carefully investigated relocation of ideals. Believe it.

2.26.2005

Girl Groups

England's Electrelane released their Albini-recorded second album, The Power Out, last year on Too Pure. How fitting that the label which brought us some of Stereolab's earliest releases now offers this all-girl four piece.

Something about Electrelane reminds me of some of those early Stereolab singles collected on the first Switched On. ["Doubt," I'm looking at you.] Maybe it's in singer Verity Susman's lower register, multilingual vocals. She sings alternately in English, French, Spanish, and German. Or maybe it's the fairly dry, driving motorik-type drums, the presence of organs and synths. I'm not sure, but it's there. On the other hand, the similarities are far from overwhelming—Electrelane are more guitar-heavy, among other things—and are certainly not a Stereolab clone.

The Power Out took quite a while to sink in. I knew I liked it after a few listens, but it's taken time to really grow on me. With the exception of “The Valleys,” which, with its choir and organ-centered sounds, interrupts the pace of the energetic first two tracks, I'd say it's a pretty damn good album all around. And if the progression made from their instrumental debut, Rock It To the Moon, to the stronger follow-up is anything to go by, I'm really looking forward to their next album, Axes, which is due out on Too Pure in May.

Listen to “Oh Sombra!”


Magneta Lane, whose six song debut EP The Constant Lover was released in 2004 on Paper Bag Records (and whose name I keep reading as Magenta), are a female trio from Canada who sound like they're ready to fight. Heavy, distorted guitars, biting bass sounds, sultry/sassy vocals and aggressive drumming are make these cranked-up pop songs. Let's just hope they get a little more adventurous on their full-length, eh?

By the way, Paper Bag seems to be building a pretty decent catalog. They first brought us Broken Social Scene's awesome You Forgot It In People, then came one of my favs from last year, Uncut's Those Who Were Hung Hang Here.

Listen to "The Constant Lover"

2.23.2005

Back from the Mountain

IMG_1965I haven't had time for a real post lately. The weekend trip with the fam was fun stuff. Great food, snow tubing, frozen lake, etc. And I took lots of pictures. If you're so inclined, you can view some of them here.

A more substantial post is coming soon. It will either be about podcasting (the part 2 I mentioned previously), or about my record-buying habits. I'm hoping for a snow day tomorrow. We'll see...

2.17.2005

Dad Music

So I'm going on this trip to the mountains with my family this weekend. I'm driving up there with my dad and his dog, and then the rest are coming up Saturday morning. Well, the idea of a 4+ hour car trip with this guy had me wondering about the music situation. See, he's not at all a big music fan. He's strictly mainstream oldies, “jazz” (which for my dad pretty much means white big band stuff) and classical. Zzzzzz... Sorry.

Luckily, I found out he has one of those tape deck/CD player combos. Thank jeezus, I can use my iPod. No ridiculous radio tags, no obnoxious commericals, and absolutely NO Big Bopper. But what do I play that won't cause too much of a ruckus or make Dad want to check my bag for drugs? What do I have that is dad-safe? There's not much, but I looked through my stuff and compiled a few basic playlists of father friendly music. Here's what I have so far:

Jool Cazz (straight-forward jazz):

John Coltrane: Giant Steps and Blue Train
Miles Davis: Kind of Blue and Birth of the Cool
Billie Holliday: Billie's Blues

Bigger Than Jesus (rock/pop/etc):

Love: s/t and Forever Changes
The Seeds: s/t
The Zombies: Odessey and Oracle
various: Growin' Up Too Fast, The Girl Group Anthology Vol. 1
Neko Case: The Tigers Have Spoken
The Clientele: Suburban Light and A Fading Summer
David Kilgour: Frozen Orange
Hope Sandoval/Warm Inventions: Bavarian Fruit Bread
American Analog Set: Promise of Love
Pernice Brothers: Yours, Mine & Ours
Olivia Tremor Control: Dusk at Cubist Castle
The Rosebuds: Make Out
Led Zeppelin: IV

Wooden Guitar (folk-ish)

Simon & Garfunkel: Sounds of Silence
Nick Drake: Pink Moon
Iron & Wine: The Creek Drank the Cradle and Our Endless Numbered Days
Keren Ann: Not Going Anywhere
Cat Power: The Covers Record

2.16.2005

Upcoming DC Shows

It's about time DC got some good shows. A few are actually on the weekend, too. Here are some that I'm interested in:

9:30 Club:

Mon Feb 21 - The Futureheads w/Shout Out Louds, The High Speed Scene - $12
Tue Mar 22 - Slint - $25
Tue Apr 12 - Aesop Rock w/DJ Big Wiz, SA Smash - $15
Sun Apr 17 - Handsome Boy Modeling School w/K-OS, Rondo Brothers - $18

Blackcat:

Sat Feb 26 - Ratatat w/The Double, Soft Complex - $10
Thur Mar 17 - The Carribean w/Portions Toll - $5
Mon Mar 28 - The Album Leaf w/Blood Thirsty Lovers, Mar - $10
Fri Apr 1- Metropolitan (cd release) w/ Aqueduct, Federal City Five - $8
Sat Apr 9 - Bloc Party w/The Ponys - $12
Fri Apr 15 - M83 w/Ulrich Schauss - $12
Fri May 6 - Autechre w/ Snd, DJ Rob Hall - $15
Mon May 23 - Monade (Stereolab) w/The Zincs - $12

Galaxy Hut:

Sun Mar 27 - The Plums w/Motori - FREE

Ottobar (Baltimore):

Mon Apr 11 - Aesop Rock w/Mr Lif - $15/17
Sun Apr 24 - Animal Collective w/Ariel Pink - $10
Tues Apr 26 - Dead Meadow w/Jennifer Gentle, Parchman Farm - $10
Sun May 1 - Prefuse 73 w/Battles, Beans - $10/12

Warehouse Next Door:

Sat Mar 12 - Panthers w/Turing Machine, Parts and Labor - ?
Wed Mar 16 - Radian w/Machine Drum, Band of the Name, H8 - $8
Tue Apr 12 - Mono w/Eluvium - $8

WarTuning

I assume you've heard of Warchalking and Wardriving. Well, check it out:

WarTuning [via LifeHacker]

Friggin' brilliant. Drive (or walk) around with your wireless-enabled laptop and download music from iTunes libraries everywhere. All it takes is some specialized software (plus the aforementioned laptop, open Wi-Fi, a shared iTunes library, and lots of HD space). OurTunes is a java-based app for Mac and Windows. Looks a little clunky to install for PC people, so I'd go with myTunes if you're on Windows.

No laptop here, sadly, so someone try it out and let me know.

2.15.2005

Books, For Listening

I recently got my grubby digital hands (aka my external HD) on a copy of the upcoming Books album, Lost and Safe, which is due out in April on Tomlab.

First impressions: This one, their 3rd album, is a bit less frantic than previous records. Though there are still plenty of plucked-and-cut strings (nicely contrasted with more legato sounds) and rearranged vocal samples, they seemed to have mellowed somewhat on the frenetic style of Thought For Food and The Lemon of Pink. Lost and Safe also features a stronger vocal presence by the younger half of the duo, Nick Zammuto. This is most often a good thing.

The odd personalities of Paul De Jong and Nick Zammuto are thankfully still evident. The Books love playing with words. For example, they get a big kick out of contradictions (“keeping your eyes gently closed, close your eyes tightly”) and the twisting of words, both in the vocal samples of songs and the song titles (e.g. “A Little Longing Goes Away,” “If Not Now, Whenever”). They're clever, these two. Fortunately, their music exhibits the kind of whimsy that makes me smile rather than roll my eyes.

Listen to “Smells Like Content”

See also:
The Books official site
Tomlab's Books page
a Books interview at Tiny Mixtapes
upcoming tour dates at Pitchfork